Self-portrait in old age What were these things?

This article appeared
In the BC Rockhounder
June 2001


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A Renaissance Geologist.
So, you thought Leonardo da Vinci was a painter and engineer? Think again.

Leonardo da Vinci was born in 1452, the illegitimate son of a middle class father and peasant mother, near Vinci in Tuscany. As a youth he received an average education, which did not include Latin. As a result, he was cut off from much of the great thought of the day, which was generally published only in that language. (He taught himself late in life to read it.) Some argue it was precisely because he did NOT read the 'classics', that he had such a remarkable mind.

Mona Lisa
The world's most famous painting?

Leonardo was recognized in his own time as a major innovator. During a career of 67 years, he was the confidant of generals, dukes, popes and kings. He made important contributions in the fields of art, anatomy, botany, mapping, mathematics, optics, mechanics, aeronautics, hydraulics, sonics, civil engineering, astronomy and weaponry.

But there was a contradictory side to him too. He was a great artist who painted only a few pictures, and finished even fewer. He was a sculptor who never completed a single statue. He was an inventor whose war machines were seldom built. He was an aeronautics designer whose aircraft would never have flown. He was a hydraulics engineer who failed to understand that water was carried to the tops of mountains by clouds.

Yet his influence in all those fields was significant. How did he come to be such a radical thinker? Unlike the early Greek philosophers, who believed the human mind capable of analyzing and deducing all scientific principles without experiment, Leonardo based his scientific theories, like his artistic innovations, on careful observation and precise documentation. He understood, better than anyone of his century or the next, the importance of precise scientific observation. And he kept copious notes and sketches.

His writings and records.
Unfortunately, just as he often failed to complete his artistic projects, he never completed his planned expositions on a variety of scientific subjects. Instead, his theories are contained in numerous notebooks, which were written in mirror script. Because they were not easily decipherable, his findings were not dispersed in his own lifetime. If they had been, it would not be unfair to say they would have revolutionized 16th century science, and every century thereafter.

He died in France in 1519, arguably the greatest mind in an age of extraordinary enlightenment. Yet his ideas were nearly lost completely. It was only in the 1690s (175 years later) that his notebooks were discovered in Rome by Giuseppi Ghezzi. Two of them were later sold to the Lord of Leicester (in 1717). They remained in England for the next 250 years, where they became known as the Leicester Codex. They are a remarkably eclectic jumble of scientific writings and sketches. Da Vinci was left handed (unusual for his era). It has been suggested that he wrote in mirror style to prevent his discoveries being misinterpreted by the Church. Heresy was a capital offence, and others had paid dearly for choosing to speak out against the doctrine of the Holy Roman See.

In 1883, two volumes were compiled by Jean Paul Richter. They remain one of the few sources of information today. Apart from that effort, his notebooks were effectively lost to scientists for almost 400 years. In 1980, the Leicester Codex were bought by financier Armand Hammer (of Occidental Oil), who renamed them the Hammer Codex. They was sold again at Christies in 1994 to Bill Gates (Microsoft), who restored their original name. Even today, there is still no complete, sequential translation of this remarkable man's work.

Leonardo the geologist.
Da Vinci was drawn to geology not through any specific interest in rocks and minerals themselves, but because of one of the great puzzles of the age. What were fossils? Prevailing opinions were divided into two camps. Were fossils ancient life entombed in stone, or were they minerals that merely RESEMBLED ancient life?

The question intrigued Leonardo, and he set about solving this dilemma by first embarking on a period of close observation of Nature, notably in the dolomite formations of northern Italy. In a notebook, he recorded data that seem obvious enough to us today:

  • 1. Rock layers represented sequential time scales (and a river cutting a valley often had the same strata on both banks).
  • 2. Angular rocks were found at stream sources, rounded pebbles midway down rivers, and silts and clays at river estuaries. He correctly concluded they were, in fact, all the same material.
  • 3. Fossils were found in a number of strata, not in a single layer.
  • 4. Some strata had marine tracks that had themselves been fossilized into stone.
  • 5. Many fossils were intact, not fragmented.
  • 6. Numerous fossils had growth rings, which da Vinci compared to the growth rings on bulls' horns.
  • 7. Fossils were only found in layered (sedimentary) strata.

The powers of observation and reason.
Leonardo first considered the possibility that fossils were, indeed, ancient life forms that had somehow turned to stone. Since many were not found in living form, this raised a preposterous question. How could God have allowed them to die out? And how could what were obviously marine species (clams, crabs and fish) reach the tops of mountains?

Avoiding the religious ramifications of the first question, da Vinci dismissed the proposition that fossils crawled to mountain tops during the Great Flood of the Old Testament. He conducted experiments on living shellfish, and found they could only travel a hundred meters during the "40 days and 40 nights" of the Deluge. Nor could they have been washed there in some great tidal wave, because they were intact (see 5), whereas wave-washed shells on the beach were disconnected and broken. Further, the Flood occurred once, but fossils were found in many layers (see 1 and 3).

On the other hand, if fossils were actually minerals that merely LOOKED like ancient life, then why were there tracks (see 4)? Further, they showed growth rings (see 6). But the clincher was that the surrounding rock showed no cracking, which would be necessary to allow the expanding 'minerals' to 'grow' in place. If they were minerals, why did they occur only in sedimentary strata (see 7)? Why didn't they 'grow' in any/every layer?

What if they were alive, but grew in the rock? Leonardo dismissed that idea too. If they were alive, he reasoned, what could they feed on, and how would they move in solid rock?

So, by a process of elimination, and using careful observation and rational deduction (which are the basis of all modern science) he came to the conclusion that fossils were, indeed, ancient life forms that had been buried by silts WHILE THEY WERE UNDERWATER.

Like all great solutions, this one opened up more questions than it answered. For a start, how could a marine layer be found at the top of a mountain?

Da Vinci argued that there was an uneven distribution of land and sea around the world, and that the Earth had a centre of mass, and a separate centre of inertia. Contrary to popular belief today, in the 16th century it was common knowledge that the earth was round (although geographers had severely miscalculated the diameter).

Da Vinci reasoned that his centres of mass and inertia were offset, because of the erratic placements of mountains and seas around the globe. As surface erosion changed the positions of rocks, the centres of mass and inertia shifted to balance this shift, like two bodies on a teeter-totter. It explained earthquakes. And it seemed a plausible way to account for seabeds lifting up, as mountains eroded elsewhere on the planet. (Remember, it was only in the late 1950s that plate tectonics became an accepted scientific concept.)

While his explanation for uplift was a bit shaky, his conclusions regarding the origins of fossils were extraordinarily accurate. Science would have to wait until the 1800s (300 years later) before observers would turn to the new field of paleontology and come to the same conclusions that he had made in the Renaissance Age. Truly, Leonardo da Vinci was a geologist far ahead of his own time.


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