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When
we move to a new city, one of the first things we do is find places
that we can call our own. Coffeeshops. Bus stops. Certain benches in
certain parks. We attach ourselves to quirks in view and architecture
because the familiarity of an everyday scene becomes repeated over and
over in one's memory.
But
home is where we start from. In the symbolism of dreams, the home represents
the self. The places in which we live are even more personal because
we see them from the inside-out. Our homes are our refuge and reflect
the very best and most meaningful times of our lives: family time, holiday
time, dinner time, night time, day time, downtime, and uptime. Home
is where we nourish our souls and grow our hearts. It's where we live.
I paint homes from the outside-in, which means I do it to reflect the
inhabitants and express the happiness built by years of repetition and
security. I visually describe the essence of the inhabitants with joy,
compassion, and warmth. These paintings become a metaphorical portrait
of the sum and celebration of our lives.
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3401 Fleming Street- September, 2011
Acrylic
on canvas, 36" x 60"
Located at: Private Collection (SOLD)
This is a century-old former boarding house near Commercial Drive
in East Van. The owners had completely renovated the exterior
by removing the old stucco finish to expose the original wood
beneath. They asked that a hint of the pre-reno house be represented
somehow, so that's the right-hand side part that seems to be in
the shadow. There's a bit of the old dark brown trim style, too.
They
have a lovely casually manicured garden full of personal symbols
and memories. Lucky are people and the animals who get to sit
there. I positioned their little daschund near the stairs and
put their pretty cat perched on top of one of the columns. I also
put a tribute to another cat they had (RIP) up in the right-hand
tree, like the Cheshire Cat.
I
made the distortion vaguely pyramidic because it seems like a
house with a solid base. The columns and fence wiggle like toes
in the sun. The season is spring, mid-day as the sun moves over
one's left shoulder when you're facing west. It's one of those
buttery warm new-bud days that seem completely happy and serene.
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Summer Street Character Houses - September,
2011
Acrylic
on canvas, 12" x 12"
Located at: Bezanson Art Consulting
This is a row of character houses like those around City Hall.
I painted them with full summer blooms in their gardens and hanging
baskets.
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Winter in Cottage Country - February,
2011
Acrylic
on canvas, 10" x 10"
Located at: Private Collection (SOLD)
Cottage country is a big deal in Canada, particularly in Ontario.
This is a classically-styled cabin with happy recreational touches
like a boat, a big, broad deck, and plenty of windows to appreciate
the view. The setting is on a clear bright winter day.
The
building is shaped like a smile with upbeat roof points and dimples
in the structure. It appears cheerful and sturdy with lots of
optimism in the pointing-up tree branches and clouds. Nothing
slouches in this place of refuge and cheer.
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Chez Mike - February, 2011
Acrylic
on canvas, 10" x 10"
Located at: Private Collection (SOLD)
This
is a late-afternoon early evening summer scene. It's when cottage
life is at full tilt in Ontario.
This
one was personified to match the owner and appear strong and reflective
and warm. It fills the frame and seems like a great big grin.
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Gaffney Cottage - February, 2011
Acrylic
on canvas, 10" x 10"
Located at: Private Collection (SOLD)
This
is a spring cottage scene, indicated by the warm, patchwork lighting,
the flowery lawn, and the new-green leafy foliage. I debated about
putting the Canadian flag in because it bisected the picture but
you can't have a cottage in Canadian cottage country without the
flag; it's as ubiquitous as the trees.
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2599 Belloc Street - February, 2011
Acrylic
on canvas, 10" x 10"
Located at: Private Collection (SOLD)
When
I paint houses, I usually angle rooftops and trees upwards to
symbolize optimism because homes are happy places that reflect
their owners, past and present. This building was also structured
as if it were poised for flight above the well-groomed colourful
shrubbery. There's a swirliness to the sky and driveway and a
sense of motion and wind in the trees.
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1887 West 3rd - December, 2010
Acrylic
on canvas, 48" x 60"
Located at: Private Collection (SOLD)
This
commission was from someone who had very fond memories of living
in this triplex in Kitsilano. They installed the fence and the
window box when they lived there and both were still in use when
I took the reference photo.
The
overall shape of the house is kind of like a pudgy teapot with
a face. There was something in the sweet old-fashioned touches
like the white picket fence and the flower-filled window box that
were best expressed with a teapotty shape. Houses have faces,
and this one definitely did.
At
the time, they had a friendly fat black cat with green eyes and
a crooked tail. The cat was placed on the front steps because
he was "usually out front greeting people." The customer's favourite
West coast season is spring, with "a sky that has a good amount
of grey, just to keep it real!" The lighting is warm, buttery
late afternoon (left-side western light).
I
had this one up on my easel around Christmas and had lots of admirers.
One fellow, a realtor, stared at it for a while. I told him the
address and he said, "Yes, I know the place. In fact, I know someone
who was born and raised there." Funny coincidences.
These
are my favourite sort of paintings to do. There's a built-in nostalgia
and sentimentality when you think of where you spent happy times
and it is best described with whimsy and a few emotional details,
like the cat, the red geraniums, and the five o'clock lighting.
I like to imagine everyday scenes that were repeated over and
over in one's memory. This is life extant.
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Character Houses - Orange, with Tree -
December, 2010
Acrylic
on canvas, 10" x 10"
Located at: Private Collection (SOLD)
This
was part of a two-painting set for a Christmas commission from
someone who liked my Kitsilano Houses painting. The direction
I got was that the recipient liked orange and was fond of a particular
tree in their yard. I put a lot of orange tones in the painting
plus orange-complementary tones of green and blue.
This
was inspired by the houses around City Hall and in Kitsilano.
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Character Houses - Red - December, 2010
Acrylic
on canvas, 10" x 10"
Located at: Private Collection (SOLD)
This
was part of a two-painting set for a Christmas commission from
someone who liked my Kitsilano Houses painting. The direction
I got was that the recipient liked red, so the houses got complementary
primary-color treatment.
This
was inspired by the houses around City Hall and in Kitsilano.
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4 Brightoncrest Way, Calgary -
May 2010
Acrylic
on canvas, 20" x 16"
Located at: Private collection (J&RT)
This
was a wedding present for my cousin. It's a portrait of their
house in Calgary. I used colors to match their décor - blues,
greens, taupe, black.
The
idea of painting a house as if it has fluid, collapsible architecture
gives the house "expressivity". The garage doors appear to grin,
the windows twinkle and wink, and the front door is a dimple.
The earth around the house buckles in response and the clouds
dance and form merry little heart shapes and playful swirls. The
whole effect is one of joy.
A
couple's first house is a significant event: it is where they
share and build a life together. Thus, 4 Brightoncrest Way is
a container for the journey that started in Thailand, at Haad
Yao beach. The expressivity of this home is that it can barely
contain its excitement and is bursting with happiness and optimism.
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Govenlock Cabin - September, 2009
Acrylic
on canvas, 10" x 10"
Located at: Private collection (SOLD)
This is a cabin in the woods, owned by someone I always knew as
Grandma Govenlock. To me, it looks almost exactly like the sort
of cabin Red Riding Hood might visit.
I
believe the cabin is near Flin Flon, Manitoba. The photo I worked
from showed the cabin painted white, but I was told that, years
ago, the bottom half was canary yellow and the top half was sky
blue, so that's how I rendered it, complete with party-hat roof.
There
were many good memories here, so the woods and grounds are festively
colored - like streamers and confetti. The cabin itself winks
playfully behind the slim trees in front, like it's playing peekaboo.
No wolves, just fun. This is how we should remember a Grandma's
house!
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108 Eagle Ridge - December 10, 2007
Acrylic on Canvas, 20" x 16"
Located
at: Private collection (A&RT) (SOLD)
This painting was commissioned for parents who were downsizing
to a smaller home at the end of 2007. The kids wanted to give
them a portrait of the house they'd grown up in, a location that
everyone referred to as "108". 108 became the title and is kind
of funny because it sounds like a deadly high fever temperature
as well.
Initially,
they asked if I could do some portraits of the family members
alongside; I demurred and said it's unlikely I'd get portraits
done in time for a Christmas gift (I know my own fiddly limitations),
but how about a few representative items that symbolize each member
of the family?
They
thought about it, and came back with three things that represented
the whole family: the classic Pontiac Parisienne that acted as
the main carriage for all the kid's graduations and weddings,
the dirt bike that everyone used to tear around the yard, and
the family cat, a fluffy tortoiseshell cutie. It is charming that
no one object was tied to a single family member: everything they
came up with is something that the whole family enjoyed together,
much like the house itself. That says something about the family,
doesn't it?
Progression
is here.
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The
Tanner Cabin - October 27, 2006
Acrylic on Canvas, 20" wide X 16" tall
Located at: Private collection (A&RT)
The
Shuswap Lake view one is the real commission piece - but I’m giving
them this one as well as a surprise. When the customers talked
about the cabin their father built in Shuswap, there was a lot
of love there. They mentioned how their family was "proud to have
built it from scratch over 40 years ago" and that it had a lot
of memories of family and friends. "It is something special that
will always be a part of the family legacy," they said. And they
wrote about how they loved to sit on the deck for a drink at 5pm
and watch the sun shine on the opposite shore. They mentioned
the painting would probably hang in a bright room with a décor
that has natural wood trim, soft golds and greens, and a very
comfortable informal setting.
So
with that in mind, this one came together really easily. The cabin
has a lot of character - you can almost see a face there. I wanted
to try bringing that out, making it smile. I also like it because
of the human elements you see - the path, the chairs on the deck,
and that bright little pinwheel on the stump.
Progression
is here.
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