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Variations of Verne Andru's cover for Feeling Theocidal

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Two images suggestive of the plot for Feeling Theocidal, prepared on PHOTOSHOP by Jim McPherson, 2008

Autumn 2008

Shots of Two Masks from Jim McPherson's wall of same

 

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El Retorno del Maximon

– January/February 2003 –

Two variations on the Maximom background, prepared by Jim McPherson, 2008

Rollover Collages of Page Background by Jim McPherson, 2008

© copyright 1996 - 2009 Jim McPherson

Jim McPherson's

Travels Website

Being an unscheduled, yet ongoing, series of photo essays written, photographed, scanned in and/or otherwise prepared by Jim McPherson as an addendum to PHANTACEA on the Web, which has been online since 1996, and www.phantacea.com, which made its online debut in the Summer of 2008

| today's timp | commence travelogue | unanticipated max-attax | hopefully not thoughtlessly trivializing tragedy | blood debt bitten | strange headgear | notes on graphics |

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A Guatemalan volcano and an oddly similar looking Turkish Fairy Chimney

Photographs taken by Jim McPherson on his travels, as well as collages usually composed at least in part with these photos, can also be found on websites devoted to Phantacea Publications and Jim McPherson's PHANTACEA Mythos

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A faun mask shot in Antigua Guatemala by Jim McPherson in January 2003A multi-headed idol shot in Copan Ruinas Museum by Jim McPherson in January 2003Email sent to recipients on 26/01/03 from Granada, Nicaragua

Max-Attax

(Foreboding as Retrospective Foreplay)


Hi everyone, just to let you know that Maximon (‘ma-SHEE-mon’), the modern Mayan embodiment of Evil Delight, seems to have hitched a ride on my tour buses. Town Square of Antigua Guatemala, photo by Jim McPherson, January 2003Should have realized he'd tagged along when I met the Tour Group I’d signed onto and was informed there was a last minute addition to our courageous gang of intrepid ‘touristas’.

(NOTE: The company who put on the so-called ‘adventure tour’ shall remain nameless, as shall all but one of its participants besides myself. Shall do so not so much for fear of lawsuits as more a matter of trying to remain as inoffensive as possible. As the saying sort of goes, they know who they were.)

Addition was an Italian who paid for the tour in his homeland but for some reason did not get his name on the group leader's ledger until he showed up at the hotel in Cancun alongside the dozen who had the proper vouchers. (The first half of the tour I joined in Antigua Guatemala began in Cancun.) Active Volcano visible from rooftops in Antigua Guatemala, photo by Jim McPherson, January 2003That meant there were suddenly 13 people on the tour instead of the usual 12.

Ever heard of ‘triskaidekaphobia’? Not absolutely sure about the spelling (and neither is the spell-checker on the computer I’m using) but, howsoever it is spelt, it means fear of 13s, as in Friday the 13th.

Must I tell you his name? I kid you not, -- it’s Maximo (‘ma-Shee-mo’)!

A faun mask shot in Antinua Guatemala by Jim McPherson in January 2003By way of background, I started out in Antigua, the very place I first encountered Maximon back in Nov 2001. For those of you with access to my wall of masks, he's the moustached fellow with the rolled cigarette in his mouth.

Shrines dedicated to Maximon that I’ve seen scattered throughout Guatemala and the Yucatan Peninsula in Mexico regularly show him smoking an often-lit cigar, with an open bottle of Johnny Walker, scads of scantily clad, if clad at all, girl-dolls laying at his feet, burning incense sticks and all manner of suchlike gringo-decadent delights arrayed all around him.

Panorama shot taken from water while boating through the Fallen Islands of Lake Nicaragua, near Granada, photo taken by Jim McPherson, 2003
- Top of Page - Return to Essay Contents - Start Photo Essay Again - Continue Photo Essay -

Trivializing Tragedy

(Mendaciously Making Might-Have-Been Madness a Max-Factor or Malign Mayan Minds Made Many of These)

To carry on ...

From the moment I joined the group just about everyone except myself and a couple of other late arrivals have been sick. Meaning, since we started out on public transport, that the smells are worse than usual. (Have to admit the buses themselves are moderately more comfortable than I’d anticipated. One of a number of reconstructed idols placed outdoors when the originals were moved into the Copan Ruinas museum in Honduras, photo by Jim McPherson, January 2003Then again moderately isn’t saying much. I had anticipated them being positively hellacious.)

First day on the road, heading due south just before the Honduran border, the driver hit some old man who apparently ran in front of the bus deliberately. Someone who saw it happen (I only heard and felt the thunk) said it looked like he had an immediate desire to meet Jesus and presumably wanted to avail his family of the opportunity to collect the consequential insurance. Sadly, at least according to the 2 doctors onboard, the victim isn't likely to have survived beyond a few hours in the hospital.

One of a number of reconstructed idols placed outdoors when the originals were moved into the Copan Ruinas museum in Honduras, photo by Jim McPherson, January 2003As the ambulance dutifully carted him away to his predetermined destiny on high (or down low, if it really was a suicide attempt), the local constabulary not only carted away the bus driver but the bus as well. Although minibuses arrived on the scene with amazing alacrity, the resultant delay meant we did not get across the border and into the town of Copan Ruinas until past 1 in the afternoon.

I’d been looking forward to seeing the Mayan ruins at Copan. Sooth said they were one of the major reasons I signed up for this tour. Very much unfortunately they closed at 4pm. Not only that, they were a good twenty minute walk from town.

That meant I had approximately 2 hours to see the ruins, the tunnels beneath two of the ‘crumblies’, where the remains of even older structures had been discovered, and the new museum, which is quite impressive and beckoned for much more of my time than I could provide.

A multi-headed idol shot in Copan Ruinas Museum by Jim McPherson in January 2003Since we were leaving first thing the next morning I never did get to the town's offshoot museum, which was also supposed to be quite impressive. Local transport plays havoc, holy or unholy as the case may be, with tight time schedules.

Interestingly for me – and maybe for you, if you recall the PHANTACEA comic book series or followed The Trigregos Gambit when it was being serialized in PHANTACEA on the Web a few years ago – according to a plaque I read and photographed in the museum the Copan Mayans had a bat cult.

It required of its initiates, who were mostly priests and ruler types, blood sacrifices and possibly ritual cannibalism, including the consequently non-symbolic drinking of blood.

A photograph and a shot of a Mayan Temple, both taken at the Copan Ruinas Museum in Hondorus by Jim McPherson, 2003

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Blood Debt Bitten

(Or Maybe Max-Made Mechanical Mayhem Makes us Make a Risky Run for Roatan)

Next day we're well on our way to the Caribbean Island of Roatan when the back of the public bus we were on started filling up with smoke. Evidently the fan belt and radiator cooling system had gone kaput; meaning, needless to say, the bus had done a ditto. Boat-head shot of a sunken sailboat spotted upon entering the main harbour of Roatan, Honduras, photo by Jim McPherson, 2003

Thankfully, given what befell yesterday’s first transport, no one was hurt. What wasn’t so lucky was our tour schedule.

We had one chance at a ferry, which left at 3 pm. (Next one wasn’t until the next morning and the mainland port town itself, the name of which I’ve already forgotten, has a very bad reputation even for Honduras.)

One of a number of reconstructed idols placed outdoors when the originals were moved into the Copan Ruinas museum in Honduras, photo by Jim McPherson, January 2003Astonishingly a replacement minibus, hired by the group leader on the kaput-bus-spot via a borrowed cell phone, made it to the ferry dock at 2:53 pm; that is to say with seven whole minutes to spare. Needless to also say, for the foreseeable future we are springing for private transportation.

Have to say that the aforementioned Copan Bat makes a guy like me wonder who really invented Dracula: Bram Stocker, the Carpathians, or the Mayans? Also makes me wonder what Maximon – who, albeit with an Italian accent, I’ve decided due to extreme events thus far described is definitely travelling with us – drinks besides whisky.

Can tell you what something else definitely does drink and that’s me. I can say that with certainty after barely surviving Roatan; emphasis on barely, as in the clothes we’ve taken to [not] wearing.

One of a number of reconstructed idols placed outdoors when the originals were moved into the Copan Ruinas museum in Honduras, photo by Jim McPherson, January 2003It seems the no-see-um sand flies there (unless they're sand fleas, which strikes me as even more likely) only attain visibility in the form of bite-bump-lumps that promptly turn into unsightly, scabrous blights on your otherwise perfectly tanned skin after you scratch them bloody.

We had one chance at a ferry, which left at 3 pm. Next one wasn’t until the next morning and the mainland port town itself, the name of which I’ve already forgotten, has a very bad reputation even for Honduras. According to Group Leader Laura – who’s been through the area before, she nervously gives us to understand – gang warfare, kidnapping tourists for ransom and plain murder, as much for sport as for settling disputes, dominate local headlines on a daily basis.

Astonishingly a replacement minibus, hired by said group leader on the kaput-bus-spot via a borrowed cell phone, made it to the ferry dock at 2:53 pm; that is to say with seven whole minutes to spare. Needless to also say, for the foreseeable future we are springing for private transportation.

The brontosaurus tree trunk, spotted and shot on an island in the midst of Lake Nicaragua, photo by Jim McPherson, 2003

- Top of Page - Return to Essay Contents - Start Photo Essay Again - Continue Essay -

Neither a Beret nor a Cheroot

(Except Maybe Maxy-Metaphorically)

Shot of a beaten-up mask of Maximon bought at forgotten time pre or post the El Retorno trip;I am now in Granada, an old Spanish colonial town on the shores of Lake Nicaragua that appears mostly undamaged by the civil wars, hurricanes, earthquakes and volcanic eruptions that have been plaguing old Nick for most of its long and perhaps surprisingly eventful history.

The hostel where we’re staying is quite a lively place. An American co-owner’s taking bets on the upcoming Super Bowl. He rather fancies being addressed as the Boss, presumably not after Bruce Springsteen, and says Tampa Bay is a shoe-in.External shot of the boozy street scene outside the main hostel (reputedly a former workhouse-cum-prison) in Granada, Nicaragua, photo by Jim McPherson, 2003

(Even though I’m a ‘go Raiders go’ guy this year, I’ve thus far resisted putting any money where my teeth are, as the saying goes.

(If the Bucks are such a shoe-in, shouldn’t he be giving me odds instead of insisting the Raiders are the favourites and wanting me to give him the odds?

(If he really wants my bucks then this boss evidently ain’t as brilliant as he thinks.)

First thing this morning there was a kerfuffle (sp?), as in hurly burly, in the courtyard outside my cell (and it is a cell – the hostel was once a work prison the Bucks fan tells me). Backpacking women (one sporting a zipper implanted in her midriff from navel to beneath-waistband) were actually fighting over mangos that had fallen off the overhanging trees overnight.

One of the many paintings done by guests in lieu of rent, taken inside the main hostel of Granada, Nicaragua, photo by Jim McPherson, 2003Yes, fighting: yelling, spitting, hair pulling, namescalling, albeit mostly in German, scratching claws extended. A spat this wasn’t – and there were a few going at it. Bucky the Boss should have been taking bets on the free-for-all.

My money would have been on the zipper lady. Never seen anything of the sort. One assumes it wasn’t there to save a surgeon having to perform a caesarean next time she got pregnant.

As for the fallen mangos, I’d been wondering what was banging on the tin roof and therefore keeping me awake most of the night. When the couple next door weren’t doing a ditto, it could also be noted. One of the many paintings done by guests in lieu of rent, taken inside the main hostel of Granada, Nicaragua, photo by Jim McPherson, 2003

Later on this morning I walked past our pal Maximo. (Which, I’ve only just learned, is properly spelt Massimo.) Max, as everyone calls him, even if ‘Mash’ would make more sense not just sound-wise, was standing in one of the courtyards at the back of the hostel.

Was wearing only a towel and had something on his head I took to be a beret. I dared make mention that he was looking very continental, lacking only a cheroot. A faun mask shot in Antigua Guatemala by Jim McPherson in January 2003A pretty girl walked by, one who was also wearing only a towel, with an only slightly smaller one encompassing her hair.

Noticeably she gave Max a wide berth. I took another look. It wasn’t a beret he was wearing at all. Was his underwear! (See what I mean about him being a second coming of the embodiment of Evil Delight?)

Am running out of time for water taxi to the islets in the Lake. Said islets reputedly literally fell out of the sky some 10,000 years ago when one of the local volcanoes discharged its fiery fury big belch time. One trusts more are not to come crashing down anytime soon.

Until next instalment, I remain hopefully longer than just for the time being, Jim (Not Max).

Painting of a Witches' Sabbat spotted and shot in an art gallery located in Granada, Nicaragua, photo by Jim McPherson, 2003

- Top of Page - Return to Essay Contents - Start Photo Essay Again - On to Notes on Graphics -

PHANTACEA Mythos print publications available for ordering from the publisher

Cover for Goddess Gambit, original artwork by Verne Andru, 2011

Final book in 'The Thrice-Cursed Godly Glories' trilogy, published in 2012

Suggested Price $25.00 CDN

Cover for Janna Fangfingers, collage prepared by Jim McPherson, 2011

'The 1000 Days of Disbelief' concludes, published in 2011; e-version published in 2011

Suggested Price $12.00 CDN

Cover for The Death's Head Hellion, collage prepared by Jim McPherson, 2010

'The 1000 Days of Disbelief' commences, published in 2010; e-version published in 2011

Suggested Price $10.00 CDN

Cover for Contagion Collectors, collage prepared by Jim McPherson, 2010

'The 1000 Days of Disbelief' continues, published in 2010; e-version published in 2011

Suggested Price $10.00 CDN

Front Cover for The War of the Apocalyptics, artwork by Ian Bateson, 2009

The first book in the 'Launch 1980' story sequence, published in 2009

Suggested Price $23.00 CDN

Front Cover for Feeling Theocidal, artwork by Verne Andru 2008

Book One in 'The Thrice-Cursed Godly Glories' trilogy, published in 2008; e-version published in 2011

Suggested Price $23.00 CDN

Front Cover for Forever and 40 Days, artwork by Ian Fry and Ian Bateson, circa 1989

The thus far only PHANTACEA Mythos graphic novel, published in 1990

Price $10.00 CDN

Front Cover for Phase One 1, artwork by Ian Bateson, 1985

The last (to date) PHANTACEA Mythos comic book, published in 1986

Price $5.00 CDN

Prices quoted do not include shipping or handling


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Design, text, photography and/or image-manipulation by Jim McPherson (www.phantacea.com)


Variation on the Maximom background, prepared by Jim McPherson, 2008 A variation, one of a few, I prepared while concocting the Maximon-foremost background to this page; its components include this mask and this mask, the Copan bat, a fattened panorama shot of Lake Nicaragua taken on a different day than this one, a couple of costumes Granada locals were modelling for Carnival (the stilt-woman's a man whereas the hinny type's on a dummy), a scanned-in postcard of a suspiciously Max-smiling, volcanic crater (Poas volcano) I bought later on during the 'El-Retorno' trip in Costa Rica, and two more wall-works as per here and here; above-lambasted Boss Bucky was particularly pleased with the Orange Jews example of plentiful plaster art; someday I'll return to Granada and see if it's still in the at-times-hostile hostel; return to masthead rollover;
A multi-headed idol shot in Copan Ruinas Museum by Jim McPherson in January 2003 A multi-headed idol shot in Copan Ruinas museum by Jim McPherson in January 2003; return to 1st iteration; return to 2nd iteration; more on the Copan bat cult can be found here;
A faun mask shot in Antigua Guatemala by Jim McPherson in January 2003 A faun mask shot in Antigua Guatemala by Jim McPherson in January 2003; two different faun masks, ones I shot on an earlier trip to Antigua, are reproduced here; return to image;
Town Square of Antigua Guatemala, photo by Jim McPherson, January 2003 Entrance to main street and town square of Antigua Guatemala, photo by Jim McPherson, January 2003; return to image;
Active Volcano visible from rooftops in Antigua Guatemala, photo by Jim McPherson, January 2003 Active Volcano visible from rooftops in Antigua Guatemala, photo by Jim McPherson, January 2003; return to image;
A faun mask shot in Antigua Guatemala by Jim McPherson in January 2003 A faun mask shot in Antigua Guatemala by Jim McPherson in January 2003; two different faun masks, ones I shot on an earlier trip to Antigua, are reproduced here; return to image;
One of a number of reconstructed idols placed outdoors when the originals were moved into the Copan Ruinas museum in Honduras, photo by Jim McPherson, January 2003 One of a number of reconstructed idols placed outdoors when the originals were moved into the Copan Ruinas museum, photo taken in Honduras by Jim McPherson, January 2003; two of the same ilk and more on the Copan bat cult can be found here; return to image;
One of a number of reconstructed idols placed outdoors when the originals were moved into the Copan Ruinas museum in Honduras, photo by Jim McPherson, January 2003 One of a number of reconstructed idols placed outdoors when the originals were moved into the Copan Ruinas museum, photo taken in Honduras by Jim McPherson, January 2003; two of the same ilk and more on the Copan bat cult can be found here; return to image;\
Shot of a photograph displayed in the Copan Ruinas Museum Shot of a photograph displayed in the Copan Ruinas Museum in Honduras, January 2003; return to image; part of the temple being excavated in this photo is reproduced here and here;
A shot of a Mayan Temple, rebuilt indoors, taken at the Copan Ruinas Museum in Hondorus by Jim McPherson, 2003 A shot of a Mayan Temple, rebuilt indoors, taken at the Copan Ruinas museum in Honduras by Jim McPherson, 2003; a smaller version of this image appears behind the Copan photo reproduced here; I shot the main idol associated with the Copan bat cult on a wall just to the right of this rebuilt temple; an interesting online resource for many things Copan-related. including another view of his very temple (shot by a pro) is here;
One of a number of reconstructed idols placed outdoors when the originals were moved into the Copan Ruinas museum in Honduras, photo by Jim McPherson, January 2003 One of a number of reconstructed idols placed outdoors when the originals were moved into the Copan Ruinas museum in Honduras, photo by Jim McPherson, January 2003; two of the same ilk and more on the Copan bat cult can be found here; return to image;
One of a number of reconstructed idols placed outdoors when the originals were moved into the Copan Ruinas museum in Honduras, photo by Jim McPherson, January 2003
One of a number of reconstructed idols placed outdoors when the originals were moved into the Copan Ruinas museum in Honduras, photo by Jim McPherson, January 2003; two of the same ilk and more on the Copan bat cult can be found here; return to image;
Boat-head shot of a sunken sailboat spotted upon entering the main harbour of Roatan, Honduras, photo by Jim McPherson, 2003
Boat-head shot of a sunken sailboat spotted upon entering the main harbour of Roatan, Honduras, photo by Jim McPherson, 2003; I used a close-up of the same image juxtaposed with that of a weirdly similar looking sawshark here; return to image;
External shot of the boozy street scene outside the main hostel (reputedly a former workhouse-cum-prison) in Granada, Nicaragua, photo by Jim McPherson, 2003
External shot of the boozy street scene outside the main hostel (reputedly once a Somoza-era workhouse-cum-prison) in Granada, Nicaragua, photo by Jim McPherson, 2003; return to image;
One of the many paintings done by guests in lieu of rent, taken inside the main hostel of Granada, Nicaragua, photo by Jim McPherson, 2003
One of the many paintings done by guests in lieu of cot/cell cost, taken inside the main hostel (reputedly once a Somoza-era workhouse-cum-prison) in Granada, Nicaragua, photo by Jim McPherson, 2003; two more can be seen in the right pair of rollovers in the masthead as well as in the page background, which is best seen here, another is here while yet another is here; unfortunately there were no indications in the hostel as to the identities of the artists; return to image;
One of the many paintings done by guests in lieu of rent, taken inside the main hostel of Granada, Nicaragua, photo by Jim McPherson, 2003
One of the many paintings done by guests in lieu of cot/cell cost, taken inside the main hostel (reputedly once a Somoza-era workhouse-cum-prison) in Granada, Nicaragua, photo by Jim McPherson, 2003; two more can be seen in the right pair of rollovers in the masthead as well as in the page background, which is best seen here, another is here while yet another is here; unfortunately there were no indications in the hostel as to the identities of the artists; return to image;
Panorama shot taken from water while boating through the Fallen Islands of Lake Nicaragua, near Granada, photo taken by Jim McPherson, 2003
Panorama shot taken from water while boating through the Fallen Islands of Lake Nicaragua, near Granada, photo taken by Jim McPherson, 2003; return to image;
Painting of a Witches' Sabbat spotted and shot in an art gallery located in Granada, Nicaragua, photo by Jim McPherson, 2003
Painting of a Witches' Sabbat spotted and shot in an art gallery located in Granada, Nicaragua, photo by Jim McPherson, 2003; return to image;
The brontosaurus tree trunk, spotted and shot on an island in the midst of Lake Nicaragua, photo by Jim McPherson, 2003
The brontosaurus tree trunk, spotted and shot on Ometepe island, in the midst of Lake Nicaragua, where we stayed for a couple of nights after leaving Granada; photo by Jim McPherson, 2003; return to image;
Shot of a beaten-up mask of Maximon bought at forgotten time pre or post the El Retorno trip;
Shot of a beaten-up mask of Maximon bought at now-forgotten time, pre or post the 'El-Retorno' trip; it now resides alongside a number of its fellows on my household's mask-wall; a different shot of it is in the masthead; return to image;

Last updated: Spring 2010

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