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More things Norman Jewison got wrong
Norman Jewison felt if hed left the scene in, it would have shut the movies critics up, because the cabby was such a good alibi: This scene, if it had been left in the film, probably would have stopped a lot of the controversy that arose around this film. |
The Cabdriver AlibiThe Canadians thought they'd found proof that Rubin "Hurricane" Carter was at the Nite Spot when the murders occurred -- but the cab driver's story contradicts Carter's court testimony. If you believe the cab driver, then Carter perjured himself in court about his alibi.
In the book Lazarus and the Hurricane, a mysterious cabdriver approaches Rubin Carters cousin Ed some eighteen years after the Lafayette Grill murders and says that he knows that Carter is wrongfully imprisoned, because he, the cabdriver, was at the Nite Spot nightclub on the early morning of June 17th, 1966 and he saw Carter there -- right before he heard the police bulletin about the murders on his police scanner. The Canadians [a group of people who dedicated themselves to freeing Carter) were very excited because this fit their theory that the police lied about the time of the murders -- the Canadians think the murders must have happened around 2:15 and the racist police said the murders happened at 2:30, just to mess up Carter's alibi. Even though nearly two decades have gone by since the murders, they manage to find two more witnesses who back up the cabbys story, who can remember the incident exactly and even remember, word for word, what someone said to the cabby on the sidewalk and what the cabby said in the nightclub. Unfortunately, the cabby wouldnt file an affidavit, and his story couldnt be used in court. He was afraid of coming forward, say the Canadians, because the authorities might make trouble for him and he'd lose his job (keeping his incredibly rare and valuable job driving a cab was worth two innocent men going to prison for life). The Canadians do not name this sterling citizen. They never give us the names of the two witnesses, either. Is there anything to this tale? Norman Jewison, the director of The Hurricane, thought so. He filmed a scene with one of the Canadians hearing this exciting information from a cabdriver -- that Carter was in the Nite Spot at the time of the murders. But the cabdriver's big scene was cut from the final version of the movie because Jewison felt it proved Carters innocence, and thus destroyed the dramatic tension. The only remnant of this part of the story in the movie is that a cab driver comes in during the nightclub scene, and asks if anyone ordered a cab. In Lazarus and the Hurricane, the cabdriver says that he was driving by the Nite Spot late on the night of the murders but couldnt get around a white Dodge that was double parked and blocking the street. The keys were in the ignition but bystanders warned him not to touch the car, because it belonged to the fearsome Hurricane Carter, who was inside the club. As the Canadians explained:
This, the Canadians exulted, was the alibi of iron-clad alibis... the only troubling point was why Rubin hadnt remembered the incident himself. It sure is troubling, because right after the murders, Carter was specifically asked by Lt. Det. Vince DeSimone, if anyone but he could have used that white Dodge. Carters car matched the description of the killers getaway car. DeSimone asked Carter, had he lent his car to anyone that night? Had he given anyone the keys? No, answered Carter. He'd had the keys in his possession all evening. A memo prepared before the second trial points out that "Carter in his Grand Jury testimony given two weeks after the event was exhaustively questioned concerning his control of the 1966 white Dodge during all times that evening, and persistently insisted that no one else could have utilized it." If in fact he had left it double parked in the street with the keys in the ignition, this would have been the perfect out for him, throwing suspicion off of him and onto some unknown assailant. The Lafayette Bar is only five short blocks from the Nite Spot where Carter was. If he had left his keys in the car, even briefly, it seems certain that Carter would have remembered this fact before the Grand Jury hearings and played it up for all it was worth. The Canadians manage to ignore this contradictory piece of testimony from Carter himself, which pretty well puts the kibosh on the cab drivers whole story. The deleted scene from the movie In the book Lazarus and the Hurricane, the mysterious cab driver is a white man originally from the South, but hes transformed into a black man for the movie. Director Jewison doesnt seem to even be aware that the Canadians unnamed cabdriver was white. Since Jewison's cabby is black, he can patronizingly make excuses for the driver's craven moral cowardice in not coming forward:
Actually, the Canadians' cabdriver never disappeared -- no one was looking for him because no one knew this potential witness existed. He only came forward years after the murders. Heres the deleted scene, complete with the corn pone dialogue and accent the enlightened, sensitive movie makers stuck on the poor actor (Gary DeWitt Marshall) playing the frightened cabdriver. Hes talking with Sam (or is it Terry? Whatever.) one of the Canadians:
Interesting note: a cabdriver did come forward to the police in the early days of the investigation. He claimed he had given a woman a ride that night and she had been muttering suspicious things. This woman was identified as Annie Ruth Haggins, a woman with mental problems who soon had the police searching all the nearby rivers because she said shed been given the murder weapon and had thrown it off a bridge. She kept changing her story, however, and the police finally decided she wasnt believable. Finally, Im informed that New Jersey cab drivers werent allowed to have police scanners in their cabs. If thats the case, how did the mysterious cab driver hear the call about the Lafayette Grill murders? |